I set out last Sunday to take pics of Staple Inn on High Holborn, only to find it under scaffolding. So instead I walked a short way up the street to number 207, an early 19th-century Grade II-listed shop and terraced house clinging to the corner of Newton Street.
What stands out most about the shop, which has a wooden frontage, is the wrought iron cresting above the entablature. This was commonly used in the late 19th-century, so was most likely added around that time. According to Alan Powers in Shop Fronts, iron cresting was intended to catch the eye as shop fascias became weighed down with an accumulation of intricate details.
For most of its life the shop was a pawnbroker or antiques shop, under different owners but most famously under the name Shapland.
Back in 1834 it was a tobacconist, but the Lloyd's Weekly on September 16, 1849 has a court report involving pawnbroker G Webb of 207 High Holborn, who accused 40-year-old Jane Sinclair of trying to defraud him of 12 shillings by "tendering a spurious ring".
In Reynold's Newspaper on November 10, 1861, the shop was still a pawnbroker but now seemingly under the name Joshua Harding. The paper reported a case at Bow Street Magistrates' Court in which a young man named Henry Lewingstone stole a silver watch from Harding. A post office carrier, Thomas Bentley, told the court: "I was coming out of West Central District Office, at the the corner of Southampton Street and Holborn, when I heard a smash of glass in Holborn. I ran across the road, and saw the prisoner at the window of 207, with his hand through a hole in a pane [of] glass into the window. He had a watch in his hand. At that moment the assistant came out of the shop and seized him."
The shop crops up in a number of court reports down the years, due to its jewellery trade. In The Standard of May 5, 1879, the pawnbroker was now Mr John Allan, but this time it's the pawnbroker who is the defendant, with Allan accused of unlawfully detaining a gold watch. Allan was cleared but ordered to share the cost of the loss of the watch with the complainant.
At some point very soon after, diamond merchant Charles Shapland must have taken over the shop, at some stage also working jointly with someone called Cloud, as there are early advertisements (eg The Times, February 25, 1891) naming the business as Cloud & Shapland.
Shapland ran the shop as a pawnbroker specialising in old jewels and also as a clockmaker. A clock of 1880 (the 1833 visible is the clock number) is engraved with Shapland's address:
But Shapland eventually took sole control, and the shop traded under the Shapland name until the 1980s, specialising in antique silver. Here's an ad from The Daily Express in 1921, which sat on the front page beside the masthead:
Shapland was clearly a jeweller of some repute – the store had its own silver makers' mark.
The renowned Times wine correspondent Pamela Vandyke Price (who died just last week, aged 90) was clearly a fan, recommending the shop for silver tasting cups, brandy saucepans, toddy ladles and fine coasters in a few of her columns.
The City of London's Collage picture library has a great picture of the store, taken in 1974 – click here.
After Shadland closed in the 1980s, for some time it remained a jeweller, run by the Goldsmiths chain. When Goldsmiths moved out, its long association with jewellery ended, and instead of fine silver it now peddles distinctly non-precious greetings cards, One Direction face masks and 'Keep Calm and Carry On' tat as a branch of Cards Galore.
Monday, 20 January 2014
207 High Holborn, WC1
Labels:
19th century,
Camden,
High Holborn,
iron cresting,
jewellery,
Shapland,
wooden shop front
Sunday, 5 January 2014
13 Rugby Street, WC1
The best known address on Rugby Street is number 18, where Ted Hughes was living when he wooed Sylvia Plath. But across the road, the shop at number 13 is more stimulating than the memory of dead poets.
Its mid-19th century wooden shop front has a covering of attractive blue tiles, with dentil entablature and a pair of lion mask consoles, atop flat pilasters. There is just the one, large window – still with pin holes above for wooden shutters – which has an odd post, maybe for structural support, just inside to the right.
The terraced house was built around 1721, and when the shop was added in the 19th century it wouldn't have stretched back so far. Hidden beneath the wooden floor of the newer part of the shop at the rear is a medieval conduit head, made from white marble and scribbled with 16th-century graffiti. It originally supplied water to Greyfriars Monastery in Newgate Street.
Now a jeweller's, number 13 was for many years a dairy shop – hence the 'Dairy' lettering on the tiled stallriser – run since 1887 by the Davies family. The shop name was French's Dairy – why I don't know – and the fascia was only recently changed by the current occupier, Maggie Owen.
The Davies's name suggests it was a Welsh dairy. During the Victorian period many Welsh-owned dairies sprung up close to the Marylebone and Euston Roads, which offered easy access from Paddington Station, the terminus for trains from South Wales. Demand for milk brought by rail rocketed in the late 1860s, following an outbreak of rinderpest among the cows stabled in London, from where most supplies previously came. Hence the influx of Welsh dairy families, and the growth of dairy shops selling products that were previously sold from dairy stables in the city (see An Economic History of London 1800-1914, Professor Michael Ball & David T Sunderland).
I did have a quick look to see if I could find out whether the shop had a pre-dairy life, but couldn't find Rugby Street in the Post Office Directory. However, I've since realised Rugby Street was until 1936 or 1937 called Chapel Street (after the Chapel of St John, which was demolished in the mid-19th century), and when renamed the street numbering system was changed too, so no wonder I couldn't find it. The name Rugby Street comes from Rugby School, which owned this area of Bloomsbury. Here's a map of the area in 1752, from the British Library (it spells Chapel Street with a double l):
Post-dairy, by the 1980s number 13 was a general store, still run by the Davies family, then in the 1990s was taken over by Rennies, a gallery-cum-shop specialising in original posters and graphic design. Interviewed by The Observer in 2003, Rennies owners Paul and Karen Rennie said the cellar of number 13 was still stacked with milk bottles.
Eight years ago Maggie Owen moved in. Her range of contemporary jewellery and accessories from various designers is well worth a look if you're passing by.
Its mid-19th century wooden shop front has a covering of attractive blue tiles, with dentil entablature and a pair of lion mask consoles, atop flat pilasters. There is just the one, large window – still with pin holes above for wooden shutters – which has an odd post, maybe for structural support, just inside to the right.
The terraced house was built around 1721, and when the shop was added in the 19th century it wouldn't have stretched back so far. Hidden beneath the wooden floor of the newer part of the shop at the rear is a medieval conduit head, made from white marble and scribbled with 16th-century graffiti. It originally supplied water to Greyfriars Monastery in Newgate Street.
Now a jeweller's, number 13 was for many years a dairy shop – hence the 'Dairy' lettering on the tiled stallriser – run since 1887 by the Davies family. The shop name was French's Dairy – why I don't know – and the fascia was only recently changed by the current occupier, Maggie Owen.
The Davies's name suggests it was a Welsh dairy. During the Victorian period many Welsh-owned dairies sprung up close to the Marylebone and Euston Roads, which offered easy access from Paddington Station, the terminus for trains from South Wales. Demand for milk brought by rail rocketed in the late 1860s, following an outbreak of rinderpest among the cows stabled in London, from where most supplies previously came. Hence the influx of Welsh dairy families, and the growth of dairy shops selling products that were previously sold from dairy stables in the city (see An Economic History of London 1800-1914, Professor Michael Ball & David T Sunderland).
I did have a quick look to see if I could find out whether the shop had a pre-dairy life, but couldn't find Rugby Street in the Post Office Directory. However, I've since realised Rugby Street was until 1936 or 1937 called Chapel Street (after the Chapel of St John, which was demolished in the mid-19th century), and when renamed the street numbering system was changed too, so no wonder I couldn't find it. The name Rugby Street comes from Rugby School, which owned this area of Bloomsbury. Here's a map of the area in 1752, from the British Library (it spells Chapel Street with a double l):
Post-dairy, by the 1980s number 13 was a general store, still run by the Davies family, then in the 1990s was taken over by Rennies, a gallery-cum-shop specialising in original posters and graphic design. Interviewed by The Observer in 2003, Rennies owners Paul and Karen Rennie said the cellar of number 13 was still stacked with milk bottles.
Eight years ago Maggie Owen moved in. Her range of contemporary jewellery and accessories from various designers is well worth a look if you're passing by.
Labels:
19th century,
Bloomsbury,
Camden,
French's Dairy,
Maggie Owen,
Rugby Street
Wednesday, 18 December 2013
49 Gough Street, WC1
Number 49 Gough Street is a small shop with a big history. Situated behind Gray's Inn Road, it seems to have thrived for a number of years within the furniture industry, particularly as an outpost of larger furniture firms.
The house and shop, built in the early 19th century, were previously part of a terrace. Although altered at some point, the wooden shop front is original – English Heritage describes it as "exceptionally fine", with its dentil architrave, cornice and entablature atop fluted quarter columns.
It's no longer a shop. A Google search brings it up as the company address of the director of the British Parking Association, so perhaps it's an office, though there didn't look much happening when I visited on a Tuesday afternoon, and it looks more residential.
I don't know who the first retail tenant was, but in 1891 it was cabinet maker Baldassare Viscardini & Sons. Born in Como, Italy in 1831, Viscardini was living in the East End by 1841, working with his brother and father – the 1851 census shows all three were looking glass frame makers.
In 1857, Viscardini married 19-year-old Rose Martin, daughter of a carpenter. However, Rose must have met an unfortunate end – in 1867 Viscardini, now a widower, married again, this time to Eliza Sheppard, daughter of a boot maker. The wedding was in Holborn, and then the 1871 census has the family at Mount Pleasant, a stone's throw from Gough Street. In 1881 they're at 54 Gough Street, and by 1891 at 49.
Viscardini seems to have had two addresses at this time, the other being 15 West View in Islington, which must've been the family home. The census listing shows the whole of the family firm:
Baldassare Viscardini, 60, cabinet maker
Eliza Viscardini, 40
Amelia E Viscardini, 20
Carlotta B Viscardini, 18, jewel case liner
Baldassare G Viscardini, 17, cabinet maker
Giacomo Viscardini, 15, cabinet maker
John W Viscardini, 13
Beatrice C Viscardini, 10
However, life for Viscardini wasn't just about furniture making. He was clearly a patriotic Italian, as back in 1859 he went back to his homeland to fight alongside general and politician Guiseppe Garibaldi in the Army of the Red Shirts during the Second Italian War of Independence, helping Garibaldi form a united Italy. The Anglo-Italian Family History Society website actually has a picture of Viscardini from his time with the Red Shirts:
Clearly a remarkable man, Viscardini died in 1896 at West View, and is buried in New Southgate Cemetery.
Viscardini's business is still listed as occupying 49 Gough Street in the 1898 Post Office Directory – along with Frederick Nutt, an architectural modeller – but next to move in was possibly E Kahn & Co, listed as an artistic furniture maker in the 1906 directory.
E Kahn was a prestigious French furniture manufacturer, renowned for its copies of 18th-century French furniture, such as this E Kahn commode, which sold at Sotheby's in April 2012 for 37,500 US dollars:
However, there's no suggestion furniture this opulent was made at 49 Gough Street, as this was a smaller branch said to have produced pieces in an English Edwardian style. The company also had premises in St Andrew Street and Charlotte Street (the Shoreditch one) in London, and in about 1884 opened a New York office.
I've no idea what happened to the business, but here's an ad found on Grace's Guide, which lists E Kahn as still at number 49 in 1922 (this ad appeared in the British Industries Fair brochure):
The next Post Office Directory I checked was for 1951, and by this time shopfitters Frederick Sage & Co had installed themselves in number 49. Founded in 1860, the business was based around the corner on Gray's Inn Road until the Blitz in 1941, when its premises were destroyed. Whether it shifted some of its operations to Gough Street after that or was already there before then, this can't have been more than a small limb of a much bigger operation. A picture of the shop in 1947 can be seen here.
It may not look much in that picture, but Frederick Sage was a major shopfitting firm – it was responsible for the original shopfit in Harrods, and for many historic shop fronts on Regent Street, Oxford Street and Bond Street, such as Dickins & Jones, Selfridges and DH Evans on Oxford Street (now House of Fraser).
Remarkably, during each World War the company switched to manufacturing wooden airplanes, before picking up where it left off with shopfitting in peace time.
The business was global, with offices throughout Europe – Printemps in Paris was one job – the US and South America, as well as a factory in Cape Town, South Africa. It wasn't just shopfitting either – interiors were constructed for hotels, restaurants, and P&O and Cunard cruise ships. After the Second World War, Frederick Sage worked on the reconstruction of the bombed House of Commons.
The company struggled through the 1960s, and in 1968 was swallowed up by British Electric Traction. No doubt plenty of its work is still around today – in fact, I found these haberdashery shop drawers for sale on eBay...
The house and shop, built in the early 19th century, were previously part of a terrace. Although altered at some point, the wooden shop front is original – English Heritage describes it as "exceptionally fine", with its dentil architrave, cornice and entablature atop fluted quarter columns.
It's no longer a shop. A Google search brings it up as the company address of the director of the British Parking Association, so perhaps it's an office, though there didn't look much happening when I visited on a Tuesday afternoon, and it looks more residential.
I don't know who the first retail tenant was, but in 1891 it was cabinet maker Baldassare Viscardini & Sons. Born in Como, Italy in 1831, Viscardini was living in the East End by 1841, working with his brother and father – the 1851 census shows all three were looking glass frame makers.
In 1857, Viscardini married 19-year-old Rose Martin, daughter of a carpenter. However, Rose must have met an unfortunate end – in 1867 Viscardini, now a widower, married again, this time to Eliza Sheppard, daughter of a boot maker. The wedding was in Holborn, and then the 1871 census has the family at Mount Pleasant, a stone's throw from Gough Street. In 1881 they're at 54 Gough Street, and by 1891 at 49.
Viscardini seems to have had two addresses at this time, the other being 15 West View in Islington, which must've been the family home. The census listing shows the whole of the family firm:
Baldassare Viscardini, 60, cabinet maker
Eliza Viscardini, 40
Amelia E Viscardini, 20
Carlotta B Viscardini, 18, jewel case liner
Baldassare G Viscardini, 17, cabinet maker
Giacomo Viscardini, 15, cabinet maker
John W Viscardini, 13
Beatrice C Viscardini, 10
However, life for Viscardini wasn't just about furniture making. He was clearly a patriotic Italian, as back in 1859 he went back to his homeland to fight alongside general and politician Guiseppe Garibaldi in the Army of the Red Shirts during the Second Italian War of Independence, helping Garibaldi form a united Italy. The Anglo-Italian Family History Society website actually has a picture of Viscardini from his time with the Red Shirts:
Clearly a remarkable man, Viscardini died in 1896 at West View, and is buried in New Southgate Cemetery.
Viscardini's business is still listed as occupying 49 Gough Street in the 1898 Post Office Directory – along with Frederick Nutt, an architectural modeller – but next to move in was possibly E Kahn & Co, listed as an artistic furniture maker in the 1906 directory.
E Kahn was a prestigious French furniture manufacturer, renowned for its copies of 18th-century French furniture, such as this E Kahn commode, which sold at Sotheby's in April 2012 for 37,500 US dollars:
However, there's no suggestion furniture this opulent was made at 49 Gough Street, as this was a smaller branch said to have produced pieces in an English Edwardian style. The company also had premises in St Andrew Street and Charlotte Street (the Shoreditch one) in London, and in about 1884 opened a New York office.
I've no idea what happened to the business, but here's an ad found on Grace's Guide, which lists E Kahn as still at number 49 in 1922 (this ad appeared in the British Industries Fair brochure):
The next Post Office Directory I checked was for 1951, and by this time shopfitters Frederick Sage & Co had installed themselves in number 49. Founded in 1860, the business was based around the corner on Gray's Inn Road until the Blitz in 1941, when its premises were destroyed. Whether it shifted some of its operations to Gough Street after that or was already there before then, this can't have been more than a small limb of a much bigger operation. A picture of the shop in 1947 can be seen here.
It may not look much in that picture, but Frederick Sage was a major shopfitting firm – it was responsible for the original shopfit in Harrods, and for many historic shop fronts on Regent Street, Oxford Street and Bond Street, such as Dickins & Jones, Selfridges and DH Evans on Oxford Street (now House of Fraser).
Remarkably, during each World War the company switched to manufacturing wooden airplanes, before picking up where it left off with shopfitting in peace time.
The business was global, with offices throughout Europe – Printemps in Paris was one job – the US and South America, as well as a factory in Cape Town, South Africa. It wasn't just shopfitting either – interiors were constructed for hotels, restaurants, and P&O and Cunard cruise ships. After the Second World War, Frederick Sage worked on the reconstruction of the bombed House of Commons.
The company struggled through the 1960s, and in 1968 was swallowed up by British Electric Traction. No doubt plenty of its work is still around today – in fact, I found these haberdashery shop drawers for sale on eBay...
Labels:
19th century,
Baldassare Viscardini,
Camden,
E Kahn & Co,
Frederick Sage,
Fredk Sage,
furniture,
Gough Street,
wooden shop front
Monday, 9 December 2013
Selfridges - Provisions and Groceries opening
As I didn't have time to post a new shop over the weekend, I dug out this ad from the Daily Express of November 25, 1914, announcing the opening of Selfridges' Groceries and Provisions departments, more than five years after the store opening.
Does the business still stick to "London's Lowest Prices - Always", a claim that was often used in Selfridges' early ads? I doubt it.
Note it's Selfridge's with an apostrophe – the apostrophe was dropped in 1940, 19 years after Harrods did it.
Labels:
20th century,
advertisement,
Daily Express,
groceries,
Oxford Street,
Selfridges
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